In Dresden, Brambilla unveils a multi-channel video installation that juxtaposes the harrowing aftermath of the 1945 bombing of Dresden with contemporary imagery, exploring the transformation of collective memory in the digital age.

The work interrogates how the proliferation of media and the commodification of historical events can lead viewers to emotional detachment from the gravity of past atrocities. By blending archival footage with modern representations, Brambilla challenges audiences to reflect on the ways in which history is consumed, remembered, and potentially distorted in an era dominated by visual media.