RPM, 2011

Duration: 1m 50s continuous loop
Single-Channel video installation, 3D high definition/color, Stereo sound


The line between man and machine is blurred in this 3D video collage. Commissioned by Ferrari S.p.A., RPM presents a compelling psychological portrait of a Formula One driver's point-of-view during a race.

RPM was photographed at the Italian Formula One Grand Prix in Monza, then processed in a signature style; Images from the Scuderia Ferrari archives as well as race broadcasts and film clips were sampled to create an abstract and kaleidoscopic series of images which seamlessly unfold before us in 3D space.

Premiered at Miami Basel 2011 event hosted by Ferrari, Peter M. Brandt and Sotheby's Tobias Meyer.

Download press release

KINO, 2011

Duration: 2m 08s
Single-Channel video, high definition/color


KINO is a seamless scroll comprised of more than 200 original elements combined using visual effects techniques enabling viewers to choose from three different points of view, all with a simple tilt of the head.

This film developed for German fashion and lifestyle brand Hugo Boss reveals a highly stylized, and elegant vision of an impeccably dressed man making his way through a surreal and magical night.

POWER, 2010

Duration: 1m 15s
Single-channel video
Color, sound


POWER shows a continuous camera move from extreme close-up of Mr. West revealing an a neoclassical video tableau showing characters and creatures surrounding him in an abstract environment - all moving in extreme slow motion.

Inspired by Michelangelo's frescos in the Sistine Chapel, the piece depicts a faux historical moment - an empire on the brink of collapse from its own excess, decadence and corruption.

GHOST, 2009

Duration: 2 minutes
Single-channel
Color, sound

For MUSE magazine


GHOST is a study of model Natasha Poly. An investigation into the obsessive behavior of the public eye and it's lingering effects on those chased and caught by it. The piece utilizes multiple shots, all presented head-on, giving the audience an opportunity to experience the deconstruction of an icon as it strips the beauty out of fashion.